Word Salad Wednesday: Ergodic Cybernetic Textuality and Games

Salad with catsWell the title is a mouthful, yet it relates to an article in The Guardian concerning the literary significance of role-playing games. Norway’s Aarseth coined the term “ergodic” to describe literary systems that evolve according to the choices of the reader/player.

First, this is just incorrect. Ergodic has a very specific meaning in thermodynamics. Ergodic means that the temporal evolution of a system will be random and irreversible. Aarseth takes the Greek meanings too literally choosing to equate the ergo (work) and hodos (path) with the temporal evolution of hypertexts (where one chooses the next step) or RPGs (where players choose the next steps but there may be random decisions dictated by dice roles). He also likes the term “cybernetic” which was literally “pilot” and was given its modern meaning by Norbert Weiner wherein it refers to autonomous control of a system to stabilize against environmental signals.

Neither of these relate to RPGs or hypertext per se, nor to the general class of reader/engager-based control of media access or fiction. The concept of generative art might be more apt, though it should be modified to include the guidance of the reader. Oddly, guided evolution or change might be the best metaphor altogether leading us to something like Lamarkian Literature (though that is too culturally loaded, perhaps).

Or we could just say “games.” After all, these are games, aren’t they?… Read the rest

Against Superheroes, Section 7 (Chapter 5)

coverar-v3-2-10-2015Section 7

With Chapter 4 we see a combination of narrative forms. There is, first, the factual discussion of the details of the archaeological dig itself. There are the problems that arise from the details of the ground, the water, the shaft, the descent. These problems and the detailed resolution of them lend to a sense of consistent realism concerning the tasks at hand in the everyday lives of the protagonists. The level of detail is strikingly at odds with the other primary narrative form: Sinister’s soliloquy on the symbolism and history of other deities. The position of these paragraphs juxtaposed amongst the more detailed discussion has produced several potential explanations, the most important of which was the requirement for presaging the unknown technology and its role in past conflicts. While there is an element of that, as a memoir presenting a linear sequence of developments (remember that he was concerned about that presentation), it is equally plausible that his recollections were merely jumbled and possessed of a certain confused emotional state.

The content of the soliloquy is worth further analysis. The primary descriptions are of conquest of people and their gods against others. There is a spreading out of the various factions, Hellenists, Israelites, Romans, etc. They are constantly at war with one another and the more powerful gods subjugate the less powerful. The subtle indication that amongst at least some of them, the Hellenists, that the gods were somewhat distant to them is of particular interest because it begs the question of how, amongst all the spirits and entities that are referenced, they were applied during war? What means of attack and influence did they have that apparently led to them conquering Yahweh and others?… Read the rest

Against Superheroes: Cover Art Sample II

Capping off Friday on the Left Coast with work in Big Data analytics (check out my article mildly crucified by editing in Cloud Computing News), segueing to researching Çatalhöyük, Saturn’s link to the Etruscan Satre, and ending listening to Ravel while reviewing a new cover art option:

coverart-v1-2-27-2015Read the rest

The Great Crustacean

little-lobster-costumeDavid Foster Wallace’s Joseph Frank’s Dostoevsky in Consider the Lobster is worth reading for nothing else than the following two paragraphs:

The big thing that makes Dostoevsky invaluable for American readers and writers is that he appears to possess degrees of passion, conviction, and engagement with deep moral issues that we—here, today—cannot or do not permit ourselves. Joseph Frank does an admirable job of tracing out the interplay of factors that made this engagement possible—[Dostoevsky]’s own beliefs and talents, the ideological and aesthetic climates of his day, etc. Upon his finishing Frank’s books, though, I think that any serious American reader/writer will find himself driven to think hard about what exactly it is that makes many of the novelists of our own place and time look so thematically shallow and lightweight, so morally impoverished, in comparison to Gogol or Dostoevsky (or even to lesser lights like Lermontov and Turgenev). Frank’s bio prompts us to ask ourselves why we seem to require of our art an ironic distance from deep convictions or desperate questions, so that contemporary writers have to either make jokes of them or else try to work them in under cover of some formal trick like intertextual quotation or incongruous juxtaposition, sticking the really urgent stuff inside asterisks as part of some multivalent defamiliarization-flourish or some such shit.

Part of the explanation for our own lit’s thematic poverty obviously includes our century and situation. The good old modernists, among their other accomplishments, elevated aesthetics to the level of ethics—maybe even metaphysics—and Serious Novels after Joyce tend to be valued and studied mainly for their formal ingenuity. Such is the modernist legacy that we now presume as a matter of course that “serious” literature will be aesthetically distanced from real lived life.

Read the rest

Signals and Noise, Chapter 00011110 (Pregnant Logos)

Signals and NoiseThe spirals again. Zach was back in a deprogramming room trying to recall the previous twenty four hours, the week, and the year. A thin rubber belt spun the red spiral in the glow of lights emanating from behind him. The walls were white and with the regulation textures of modern drywall, unlike the SCIDE installation in the reactor. There were other signs of middle-class Americana, too, like the shadow of a lamp Zach thought he had seen at Ikea. The spiral was the least interesting thing in the room and he tried to move, but was stopped by firm strapping on his arms, legs, and his forehead.

Not this again, he said loudly. The spirals don’t do anything.

Quiet, except for the faint hum of the motor powering the rotating infolded circles.

Is anyone here? he asked loudly, then yelled a haphazard help that emerged truncated because of his inability to stretch his neck as he raised his voice.

Aphrodite spoke from behind in the dark. Hey, hey, cool it, calm down, Zach. The spiral stopped and she walked into the light and pulled the Velcro holding his arms and head and legs loose with quick sawing noises. He rubbed his arms and asked her How long? How long have I been here?

Just a few hours, she responded. Let’s go meet everyone. Glad you’re back.

She led him into a common area that was more modern than the decrepit nuclear facility. The people were more polished, too, and older, ranging from the early teens to the twenties. Many were dressed in combat fatigues, but with distinctive SCIDE patches on their arms.

Is this place new? Zach asked after Aphrodite.… Read the rest

Marshlands

MarshlandsIt is purely by chance that I discovered a remarkable note, penciled in a deliberate cursive, on page one hundred something of a secondhand copy of Borges’ Labyrinths. The Huns were clashing about and trampling books, but one survived—that sort of chance or magical thing—and an arrow crawled up from the text and declared “all great civilizations are built on marshes,” seemingly in praise for the despoiled monastery and its now collapsed civilization, or perhaps referring to the banks of the Danube or the arc of historiography that passed from Athens to Rome later in the page.

Regardless of the minutiae of the referents, the statement remained in my head for days as I shuffled about through my ordinary occupation and preoccupations with information theory, intelligent machines, and some spectral analysis of the statistical distribution of gut bacteria/eukaryotes. Google was fragmentary in its responses to the phrase as a query and I quit before the end of the first page, anyway, distracted by other thoughts about why marshes would be so attractive for building a civilization. The fishing should be good, admittedly, as well as the availability of reeds for various structures, but the shifting nature of land and the threat of mosquito infestation struck me as negatives. And wouldn’t clean, fresh water be better served by a mountain stream? All great cultures should be at the base of a non-volcanic snowpacked mountain.

I returned to Borges later in the week and found myself fanning through the pages like a schoolboy watching a stickfigure animation until, seventy-five pages further, below the tail of an essay on Cervantes and the inversion of authors and characters and readers, there was another brief flash off a curlicue of lead embedded in the page.… Read the rest

Vin versus the Vampires, Chapter 2: Dealing with the Creditors

Vin dev Unpublished novel chapter about vampires taking over Hollywood, from the perspective of Vin Diesel. Vin arrives in London to work on a new film about vampires but is attacked by a strange creature while jogging in Hyde Park.

The doctor is a woman, brown, Indian or Pakistani, and, as usual when I first arrive in Britain, I am surprised that the accent can accompany any serious discussion at all. Yes, I had a tetanus shot three years ago. Actually, yes, I had the typhus series, too. No, it was definitely not a dog but admittedly, yes, I am not sure exactly what it was. I’m grinning at her as she projects standardized health system concern through the lilts and dips of pure Londoner. She keeps glancing at my grin, either not recognizing me or just concerned that I am drunk or high. It’s just the accent, I think about blurting out; I can’t take it seriously, sorry, an American oddity exaggerated by the pain in my knee and the early morning hours without much sleep. But I clam up and answer her questions only getting a bit peeved at the third round of, “Had you been drinking”

“No, I was jogging. I was jetlagged. I was jogging. Really.”

There were no stitches, just a bandage and a shot of broad-spectrum antibiotics. As I finished up and signed off, I thought about sneaking a peak at the chart to see if she had annotated “likely alcoholic” or something on the page, but it was almost 9 AM British Summer Time and I needed a nap before my meeting in the afternoon, so I scribbled where I needed to scribble and grabbed a cab back to the hotel, hobbling in past the front desk with my tattered sweats sweeping the marble of the lobby.… Read the rest

Signals and Noise, Chapter 00010100 (Deprogramming)

cover-design-epubA spiral is an ancient symbol—a snake, an eye, a womb—and a hypnotic focus for mesmerizing the compliant into a hypnagogic state. A spiral is a flow into a singularity. A spiral is a whirlwind. The spiral before Zach’s eyes was generated by a light projector, he knew, and by a filter that was spinning before the projector. He focused and heard only a faint dripping. The fuzziness was falling away from him like he was shedding a cocoon, though, and he soon felt bindings of his arms behind him, metallic and cold, mirroring the cold of the room around him. The spiral was spinning gently, like a pinwheel in a breeze, and Zach found it comforting. It was a flow into a black hole, the negation of everything material, yet the lines of flow never altered or diminished, but extended into forever. A cold universe, empty of the luminous, yet beautiful in its existence, is still cold, he reasoned as he felt the chill rise out of the chair, into his damp back, and his arms. The spiral kept spinning with clockwork regularity.

He finally heard steel slide against steel and a light bloomed to his left, incandescently warm and yellow. A human shadow marched in and stood quietly before him. He didn’t speak at first, waiting to try to see who it was, though suspecting a female form from the subtle hints of hip and slender arm as the shadow moved around him. She slid into the light of the spiral and he recognized Aphrodite from the beach, her hair tamed slightly by a band compressing the afro into three cottontail puffs, above, left and right. She finally spoke, low and even, declaring him cleansed and purified.… Read the rest

Teleology, Chapter 1

Teleology CoverartA sense of purpose is a hard-fought and hard-learned achievement for anyone, but for a twin it is always overshadowed by a sense of duality. Shared reference points—languid and lazy summers, tiny tragedies—dodge and weave together and remembrances are broken into equal parts of self and mirror self. Was it his observation or mine? Who made the comment and why? Since the twin is an ever-present reflection, the narratives of shared discovery from the earliest days mask differences.

Mom calls to us as we look for satellites between Jupiter and Mars, “Harold! Mike! Time to come in now!” The damp summer grass is at our back. Just audible, beneath the chant of crickets, is the murmur of cottonwoods at the edge of our yard as a breeze crawls up the canyon.

“I got one. North to South,” my brother says and swipes at the stars with his hand.

“Where?”

He points again and I ease my head over to his shoulder to try to line up with his fingertip.

Finally it resolves for me as I defocus and refocus my eyes: a pinprick of light in the indigo sliding between the silvery weave of stars.

“Spy satellite. Polar orbit,” I say. I try to imagine the view from the satellite, as if I was a hitchhiker holding on to the solar panels and looking down at the dark Earth below. Dish antennas rotate and twitch, seeking out radio signals far below the faint splashes of city lights. Space is cold and quiet, even the wind tamped out, until…

Mom is calling again.

It is the summer of 2002 and Harry and I are both 10 years old. We live in Santa Fe, New Mexico and our lives and our purposes are unremarkably simple.… Read the rest