Tagged: creativity

Motivation, Boredom, and Problem Solving

shatteredIn the New York Times Stone column, James Blachowicz of Loyola challenges the assumption that the scientific method is uniquely distinguishable from other ways of thinking and problem solving we regularly employ. In his example, he lays out how writing poetry involves some kind of alignment of words that conform to the requirements of the poem. Whether actively aware of the process or not, the poet is solving constraint satisfaction problems concerning formal requirements like meter and structure, linguistic problems like parts-of-speech and grammar, semantic problems concerning meaning, and pragmatic problems like referential extension and symbolism. Scientists do the same kinds of things in fitting a theory to data. And, in Blachowicz’s analysis, there is no special distinction between scientific method and other creative methods like the composition of poetry.

We can easily see how this extends to ideas like musical composition and, indeed, extends with even more constraints that range from formal through to possibly the neuropsychology of sound. I say “possibly” because there remains uncertainty on how much nurture versus nature is involved in the brain’s reaction to sounds and music.

In terms of a computational model of this creative process, if we presume that there is an objective function that governs possible fits to the given problem constraints, then we can clearly optimize towards a maximum fit. For many of the constraints there are, however, discrete parameterizations (which part of speech? which word?) that are not like curve fitting to scientific data. In fairness, discrete parameters occur there, too, especially in meta-analyses of broad theoretical possibilities (Quantum loop gravity vs. string theory? What will we tell the children?) The discrete parameterizations blow up the search space with their combinatorics, demonstrating on the one hand why we are so damned amazing, and on the other hand why a controlled randomization method like evolutionary epistemology’s blind search and selective retention gives us potential traction in the face of this curse of dimensionality. The blind search is likely weakened for active human engagement, though. Certainly the poet or the scientist would agree; they are using learned skills, maybe some intellectual talent of unknown origin, and experience on how to traverse the wells of improbability in finding the best fit for the problem. This certainly resembles pre-training in deep learning, though on a much more pervasive scale, including feedback from categorical model optimization into the generative basis model.

But does this extend outwards to other ways in which we form ideas? We certainly know that motivated reasoning is involved in key aspects of our belief formation, which plays strongly into how we solve these constraint problems. We tend to actively look for confirmations and avoid disconfirmations of fit. We positively bias recency of information, or repeated exposures, and tend to only reconsider in much slower cycles.

Also, as the constraints of certain problem domains become, in turn, extensions that can result in change—where there is a dynamic interplay between belief and success—the fixity of the search space itself is no longer guaranteed. Broad human goals like the search for meaning are an example of that. In come complex human factors, like how boredom correlates with motivation and ideological extremism (overview, here, journal article, here).

This latter data point concerning boredom crosses from mere bias that might preclude certain parts of a search space into motivation that focuses it, and that optimizes for novelty seeking and other behaviors.

Creativity and Proximate Causation

Combining aspects of the previous posts, what proximate mechanisms might be relevant to the notion of artistic fitness? Scott Barry Kauffman at www.creativitypost.com rounds up some of the most interesting recent research and thinking on this topic in his post, Must One Risk Madness to Achieve Genius?

Touching on work by luminaries like Susan Blackmore and others, Scott drives from personality assessment concepts down through the role of dopamine in trying to identify whether there is a spectrum of observable traits that are linked to creativity and artistic achievement.

Notable:

Daniel Nettle and Helen Clegg found that apophenia was positively related to a higher number of sexual partners for both men and women, and this relationship was explained by artistic creative activity. Similarly, in a more recent study conducted by Helen Cleff, Daniel Nettle, and Dorothy Miell, they found that more successful male artists (who are presumably higher in apophenia) had more sexual partners than less successful male artists.

Apophenia means seeing patterns in the environment where none may be present, a central theme in my second novel, Signals and Noise.

We can hypothesize also, based on the distribution from schizophrenia through schizotypy, through to “normal,” that there must be a large complement of interacting genes involved in these traits. This is supported by the evidence of genetic predispositions for schizophrenia, for instance, but also by the frustrating lack of success in identifying the genes that are involved.  This distribution may, in fact, be one of the most critical aspects of what it means to be human:

Were it not for those “disordered” genes, you wouldn’t have extremely creative, successful people.  Being in the absolute middle of every trait spectrum, not too extreme in any one direction, makes you balanced, but rather boring.  The tails of the spectrum, or the fringe, is where all the exciting stuff happens.  Some of the exciting stuff goes uncontrolled and ends up being a psychological disorder, but some of those people with the traits that define Bipolar Disorder, Schizophrenia, ADHD, and other psychological conditions, have the fortunate gift of high cognitive control paired with those traits, and end up being the creative geniuses that we admire, aspire to be like, and desperately need in this world.