Innocents in Intellectual History

In 1999, I lived in a modest, rented townhouse in Redmond, Washington with my wife and a year-old baby. I had just quit my academic R&D position in a fit of pique over issues of contracts and conscience, and had uprooted our lives to go to Microsoft to be a program manager while still harboring an academic’s independent streak. I had hair down to nearly my waist that I tied back in a ponytail after it dried a bit on my way to work. I had a coordinating goatee, too. On dark, overcast days I would sometimes reach back to reposition my hair tie and the cinched area would still be mildly damp into the afternoon.

In Seattle that year, the World Trade Organization came to meet and with it violent protests over, well, what was it over? Some of it had to do with the notion of globalization of the economy. Some of it had to do with a hope for labor empowerment. Some of the participants were just anarchists, it seemed. I had a run-in one morning with a door guard-type who thought I had tailgated her through a security door at Microsoft. We had been warned in a corporate-wide email about security concerns were the protests to come out to the suburbs. I dutifully backed out, pulled the door shut, and ran my access card to open the door. Curiously, even after that, she decided not to ride the elevator up with me, a look of uncertainty and fear in her eyes.

And then there were the Occupy Wall Street protests of 2011 that felt similar to those Seattle actions of more than a decade before.

Kurt Andersen, author of the memorable Fantasyland, has a new book and a new Atlantic essay, College-Educated Professionals Are Capitalism’s Useful Idiots, that continues his theme of capturing intellectual history as a series of consistent trends that are easily observable and digested.… Read the rest

The Universal Roots of Fantasyland

Intellectual history and cultural criticism always teeters on the brink of totalism. So it was when Christopher Hitchens was forced to defend the hyperbolic subtitle of God Is Not Great: How Religion Poisons Everything. The complaint was always the same: everything, really? Or when Neil Postman downplayed the early tremors of the internet in his 1985 Amusing Ourselves to Death. Email couldn’t be anything more than another movement towards entertainment and celebrity. So it is no surprise that Kurt Andersen’s Fantasyland: How America Went Wrong: A 500-Year History is open to similar charges.

Andersen’s thesis is easily digestible: we built a country on fantasies. From the earliest charismatic stirrings of the Puritans to the patent medicines of the 19th century, through to the counterculture of the 1960s, and now with an incoherent insult comedian and showman as president, America has thrived on inventing wild, fantastical narratives that coalesce into movements. Andersen’s detailed analysis is breathtaking as he pulls together everything from linguistic drift to the psychology of magical thinking to justify his thesis.

Yet his thesis might be too narrow. It is not a uniquely American phenomenon. When Andersen mentions cosplay, he fails to identify its Japanese contributions, including the word itself. In the California Gold Rush, he sees economic fantasies driving a generation to unmoor themselves from their merely average lives. Yet the conquistadores had sought to enrich themselves, God, and country while Americans were forming their shining cities on hills. And in mid-19th-century Europe, while the Americans panned in the Sierra, romanticism was throwing off the oppressive yoke of Enlightenment rationality as the West became increasingly exposed to enigmatic Asian cultures. By the 20th century, Weimar Berlin was a hotbed of cultural fantasies that dovetailed with the rise of Nazism and a fantastical theory of race, German volk culture, and Indo-European mysticism.… Read the rest